GOOD MORNING : CAPTAIN

warm summer
nights ahead"
1974.

"There was a sound at the window then.
The captain started, his breath was still. "
via here..

"For about five years, beginning in 1974,
Adams embarked on an experiment: he made a series of photographs at night—the opposite of the high-altitude daylight used in most of his previous photographs. The project brought an element of risk he had not experienced before. Passing motorists sometimes veered toward him on rural roadsides, and in urban centers police repeatedly questioned him about his activities."

"“What attracted me to the subjects at a new hour
was the discovery then of a neglected peace.”
- Robert Adams.

Robert Adams
Summer Nights, Walking
purchase it here, via Textfield.

In this exquisitely produced book, the influential American photographer Robert Adams revisits the classic collection of nocturnal landscapes that he began making in the mid-1970s near his former home in Longmont, Colorado. Originally published by Aperture in 1985 as Summer Nights, this new edition has been carefully reedited and resequenced by the photographer, who has added 39 previously unpublished images. Illuminated by moonlight and streetlamp, the houses, roads, sidewalks and fields in Summer Nights, Walking retain the wonder and stillness of the original edition, while adopting the artist’s intention of a dreamy fluidity, befitting his nighttime perambulations. The extraordinary care taken with the new reproductions also registers Adams’ attention to the subtleties of the night, and conveys his appeal to look again at places we might have dismissed as uninteresting.

"Silently, he pulled down the shade against the shadow.
Lost in the doorstep of the empty house.
I'm trying to find my way home."

Slint, "Good Morning, Captain"

"For more than 40 years, Robert Adams (born 1937) has photographed the landscape of the American West, particularly in California, Oregon, and his home state of Colorado. His work is inspired both by his joy in the inherent beauty of the landscape, and his dismay at its exploitation and degradation for residential and commercial development.

In his images of main streets, tract houses, trees, and waterways, Adams records two kinds of landscapes, one damaged by people and the other somehow beyond their power to harm. He asks us, through his photographs, to consider where we live and how we relate to our environment."

go to the Getty here
to learn more about Robert Adams.
(text above is sourced from the Getty, here...)
learn more about slint here, via the new yorker.






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