superimpose words on work."
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images:
1. John McCracken, electric, in bronze, via David Zwirner
2. Willy Rizzo 1970's coffee table, via here
John McCracken in an interview writes: "It seems silly to superimpose words on work. It seems natural to me that these things are applied to the work as that's what I try to put in it. I've always been interested in metaphysics-so I guess one also does a self portrait of one's body of ideas. My own work has puzzled me-especially as it relates to the plank. I kept coming back to making planks and I kept wondering if I was being habitual or obsessive or responding to demand, or if there was more to this plank form than I consciously realized. I wondered if they were a life form from somewhere that was channeling through me and it didn't make any difference if I understood them or not.
It worried me a bit-I believe in being intuitive but not being unconscious. I started to realize that these were figurative things that are both in the world and out of it. Because it leans at an angle, when you put a plank in a room, it kind of screws things up-it can be a little disturbing, but I found I liked that. When you set things vertically they go with everything but when you set them at an angle then you have something that shifts away from our reality. It's partly in the world and partly out of the world. It's like a visit. "
more of the interview here..
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You have read this article coffee table /
david zwirner /
john mccracken /
when arts become furniture /
willy rizzo
with the title
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