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"In this it is to be noted that Vincent Fecteau seems to color his sculptures less artistically, but rather applies paint on them in the way a housepainter treats walls or rooms. Mostly with relatively blunt, muted emulsion paint. Any spatial effects, shading, or even permitted stains or dirt seem to derive from the repertoire of a painter for stage designs. "

"Deepest light, the secret lies 
Wishing well gives you all that you desire
 Homes and trains, and the greenest of plains 
That you ever happened upon The silent wish, it calls you out 
Calls you out by name Lays upon the plain, on the mountain high" - B. Mould

Vincent Fecteau has so far always worked on a group of sculptures at the same time over a rather long period. He develops the final form through handling the material and only rarely and in small details does he work from preconceived ideas or sketches. In the past the creative process was determined by a core form determined by the material, for example an inflatable beach ball, or boxes to which he then applied layers of papier-mâché. These first layers were removed, cut up, re-assembled and in this way became the formal basis for numerous further formal modifications, until he arrived at the final shape of the sculpture. The coloring of the sculptures too goes through many different stages. In this it is to be noted that Vincent Fecteau seems to color his sculptures less artistically, but rather applies paint on them in the way a housepainter treats walls or rooms. Mostly with relatively blunt, muted emulsion paint. Any spatial effects, shading, or even permitted stains or dirt seem to derive from the repertoire of a painter for stage designs.

Galerie Buchholz
Vincent Fecteau  Fasanenstraße 30, Berlin (text from here)

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