Garbage Warrrior.
an amazing film.

"Architecture is a retarded profession."
—Gaetano Pesce

Earthship n. 1. passive solar home made of natural and recycled materials 2. thermal mass construction for temperature stabilization. 3. renewable energy & integrated water systems make the Earthship an off-grid home with little to no utility bills.

Biotecture n. 1. the profession of designing buildings and environments with consideration for their sustainability. 2. A combination of biology and architecture.

"What do beer cans, car tires and water bottles have in common? Not much unless you're renegade architect Michael Reynolds, in which case they are tools of choice for producing thermal mass and energy-independent housing. For 30 years New Mexico-based Reynolds and his green disciples have devoted their time to advancing the art of "Earthship Biotecture" by building self-sufficient, off-the-grid communities where design and function converge in eco-harmony.


However, these experimental structures that defy state standards create conflict between Reynolds and the authorities, who are backed by big business. Frustrated by antiquated legislation, Reynolds lobbies for the right to create a sustainable living test site. While politicians hum and ha, Mother Nature strikes, leaving communities devastated by tsunamis and hurricanes. Reynolds and his crew seize the opportunity to lend their pioneering skills to those who need it most. Shot over three years and in four countries, Garbage Warrior is a timely portrait of a determined visionary, a hero of the 21st century."





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the unrelenting sea, the darkness, and a need to search the depths.
an album and film that search the corners of the earth.
truly inspring......

Boxhead Ensemble. The Last Place to Go.
(amazing album....)
listen here..

Boxhead Ensemble, an impromptu project of the Chicago rock avantgarde, involved members of Tortoise, Gastr Del Sol, Eleventh Dream Day plus Jim O'Rourke and Ken Vandermark, all assembled by composer Michael Krassner to score the soundtrack for a film.

The resulting album, Dutch Harbor (Atavistic, 1997), was a collection of austere, erudite, low-key and bleak instrumental improvisations. They were more than vignettes of village life: they were miniature concertos of stunning sophistication.
The Introduction was high-caliber noir and chamber jazz set in an extremely sparse and desolate soundscape of agonizing notes and frustrated melodies. The eight-minute The Ravens, consisting in four guitars dueting with Vandermark's reeds at a funereal pace, moved that concept into abstract space. The ten-minute Ship Supply was structured in three parts: Vendermark's agonizing trumpet melody, a lengthy low haunting drone, and a melancholy tide of O'Rourke's and Krassner's guitars. (Michael Krassner writes: "The low drone you're hearing is Jim O'Rourke playing an acoustic guitar through a guitar amp. He was basically controlling the feedback an acoustic guitar generally makes when positioned close to an amplifier. He was also detuning his guitar during the drone creating interesting beating pulses in the feedback. When one note is sustained and another note or string is slightly being de-tuned, you can hear the overtones pulsating or beating against eachother").













Werner Herzog, "Encounters at the End of the World"

"It’s a burning curiosity in me. A desire to find images which have not been worn out yet. These images require a specific grammar of narration. "Encounters" is narrated in a way unlike any of my other films, since they have a more coherent story, but here it’s just amazement and wonder, plus the incredible warmth I feel for those extraordinary people down there."

"It’s best not to verbalise these things, but I know I’m very good at music. The music in "Encounters" is the best possible combination. And the music makes certain things visible and palpable in the images. You can’t really speak about it. Just look and listen, and you know it. I know how to do these things. It’s my profession."

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